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David Porter, . . . Into A Real Thing, 1971 on Enterprise

Porter was the staff songwriter for Stax – this was his second full length LP issued under his name, following up Gritty, Groovy, & Gettin’ It. Enterprise was a sub-label of Stax, which also released the early Isaac Hayes solo albums. (Apparently label president Al Bell was a Star Trek fan).

Wonderful early 70s Stax/Volt style funk/soul. Love that the green hat from the gatefold is also on the bed post in the rear cover. Isaac Hayes gets arranger and producer credit on “I Don’t Want To Cry.”

My copy is a 2023 Vinyl Me, Please Classics reissue, made by Craft Recordings, with lacquers cut by Ryan Smith at Sterling Sound and a listening notes booklet by Andrew Winistorfer.

#1970s #1971 #2023 #AlBell #AndrewWinistorfer #craftRecordings #DavidPorter #enterprise #isaacHayes #Reissue #RyanSmith #Soul #Stax #SterlingSound #vinyl #vinylMePlease #VinylMePleaseClassics #vinylcollection

David Porter, Chapter 1: Back in the Day, 2022 on MIME Records

David Porter is maybe best well-known as a songwriter and producer – the staff writer at Stax records who penned “Hold On, I’m Coming” and “Soul Man” among so many others, and who worked extensively with Isaac Hayes in the late sixties and early seventies. He’s also the found of The Consortium MMT in Memphis, a non-profit that supports and mentors musicians.

This album via MIME Records […]

#2020s #2022 #DavidPorter #IsaacHayesMovement #LesterSnell #Memphis #MIMERecords #Soul #Stax #vinyl #vinylMePlease #vinylcollection #WillieHall

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